The Hollywood Professional Association's annual Tech Retreat has established itself as one of the most valuable networking and technology events in the media and entertainment industry. Unlike larger showcases like NAB or CES, the HPA Tech Retreat creates an intimate environment where industry professionals can forge meaningful connections while exploring cutting-edge technologies.
In the latest episode of Denoised, Joey Daoud shares his recent experience at the 30th anniversary of the HPA Tech Retreat, including his participation in a high-pressure "Live without a Net" AI editing challenge. Join hosts Joey and Addy as they break down what makes HPA unique, explore the current state of AI-assisted editing tools, and highlight innovative solutions that could reshape post-production workflows.
The Hollywood Professional Association (HPA) Tech Retreat stands apart from other industry events through its carefully crafted environment. Held at the Westin Rancho Mirage in Palm Springs, the event completely takes over the resort, creating a controlled setting where everyone present is a media and entertainment professional.
"It's all the one hotel. And the one hotel is bought out. So anyone that's at the hotel is there for this, for the retreat," Joey explains. This concentrated environment, combined with a single-track conference format, eliminates the common frustration of choosing between competing sessions.
The event's structure naturally facilitates connections. As Joey notes, "Because it's a few days and it's the same people, you kind of see the same people over and over again... it's very good for just building connections." This sentiment is echoed by Addy, who observes that HPA "has really figured that part out better than anybody else in this space as far as just empowering connections."
What sets HPA apart:
Complete hotel buyout ensures everyone present is an M&E professional
Single-track conference eliminates competing sessions
Multiple days with the same attendees naturally builds relationships
Innovation Zone provides a showcase for smaller tech companies
Professional barriers between executives and others are naturally lowered
The relaxed atmosphere contributes to the networking success, with Joey sharing an anecdote about 8 a.m. mimosas on the opening day that "just loosened us a little bit" and set the tone for the entire event.
The centerpiece of Joey's HPA experience was his participation in a "Live without a Net" challenge focused on AI-assisted editing. Given raw footage from the Rob Legato hackathon (shot on two Blackmagic cameras with synced audio) and archival material, Joey attempted to produce a polished 8-10 minute edit within a seven-hour window using AI tools.
This real-world stress test revealed both the capabilities and limitations of current AI editing solutions. Rather than a seamless experience with a single platform, Joey found himself "connecting a bunch of different tools because there is no, like, one solution to make this work."
Joey initially planned to use Claude as his primary tool for creative script generation: "I found Claude to be the best at sort of creative writing tasks. And also it's the best when you give it transcripts with timecode."
However, he quickly discovered Claude's limitations when handling large volumes of data:
"I uploaded all the transcripts, I maxed out the sort of amount of storage you can give it, and then after like 20 minutes of prompting... Claude locked me out. So basically, I hit the rate limit with Claude and it was like, you can't use it."
This occurred despite Joey being on a premium plan and only submitting a fraction of his total footage (approximately 5 hours of audio plus 9 hours of archival content). As Joey notes, "For a documentary, not that much. For Claude, it was a lot."
After Claude's rate limit issue, Joey shifted to a multiplatform approach:
Perplexity and DeepSeek: While Perplexity provides access to multiple AI models including Claude and DeepSeek, Joey found "these language models never work as well through the third party tools as they do directly in the web interface."
Strada and Eddie AI: Joey tested this AI-assisted editing tool but found its use case unclear: "I'm actually still trying to figure out what its exact use cases are." While it offers features like multicam syncing and rough cut generation, Joey didn't find it particularly helpful for his specific challenge.
Descript: Joey describes this tool as having "accidentally built the like the best text video editor," allowing users to mix transcribed interviews with written narration. However, he notes its focus seems to be "going more after marketers and podcasters" rather than professional editors.
ElevenLabs: Used successfully for narration generation.
ChatGPT Operator: This proved extremely effective for music selection: "Go find me music... built out a Google sheet of like 20 songs. I was like, go find me five tracks that were like EDM electronic background beat... and it did it."
The key takeaway from Joey's challenge was that while individual AI tools excel at specific tasks, editors currently need to piece together multiple platforms to create a functional workflow. This fragmentation represents both a challenge and an opportunity: "I'm kind of glad stuff is not fully figured out yet... there is room for somebody to really be successful at this stage."
The HPA Tech Retreat's Innovation Zone showcases smaller companies with promising technologies. Two standouts caught Joey's attention as potential game-changers for post-production workflows:
Quickture emerged as a powerful solution that could have significantly helped Joey's challenge. Unlike standalone AI tools, Quickture works natively within Premiere Pro:
"They can work natively inside the NLE. They had a Premiere demo set up nice. And you could do all your string outs in your timelines of your interviews or your RAW footage. And they use, I think, a combo of like Claude and OpenAI and run the transcripts. But they'll build out full string outs and you prompted of like what kind of stuff you're looking for."
Key advantages include:
Works directly inside Premiere without import/export cycles
Handles massive amounts of footage: "hours and hours raw footage"
No apparent limits: "Is there a limit to like where it breaks? And they're like the way they kind of vector classify everything... No. We could kind of just keep giving it a like 100 hours."
Especially valuable for reality TV and documentary workflows
Potential for content library repurposing
Joey noted that while Quickture currently solves the "radio edit" challenge (organizing spoken content), there's still an opportunity to integrate with image recognition tools like 12 Labs to automate B-roll selection.
The second major innovation came from Strada, which demonstrated a peer-to-peer file-sharing solution that could eliminate expensive cloud storage:
"What they demoed here was now there's like, a little client app that you could, like, run on your computer, and any hard drive you have plugged into your computer, Strada could access it and read it."
This technology uses WebRTC to stream files directly between users without cloud intermediaries, similar to a Zoom call. For production teams dealing with terabytes of footage, this could represent significant cost savings and workflow improvements:
"It's a solution where you could work locally off a machine and kind of build out your own little cloud and not have to keep uploading media back and forth to another provider."
The Innovation Zone also featured virtual production technologies, though Joey noted there wasn't anything "evolutionary" on display. Notable exhibitors included:
B&H Studio with Disguise
Plate Pros with driving plates
Lightcraft's Jetset technology continued to evolve, now supporting Gaussian splats (G-splats) for environmental scans and offering an interesting use case for animation production:
"They were basically using Light craft to, like, kind of shoot real actors and... comp the environments, like rough environments that they're building. So they can shoot it in Lightcraft, the director could see they're tracking the camera movement... And then they were actually running the footage into Wonder Dynamics or Wonder Studio to create a first draft of animation of character animation."
This approach allows filmmakers to create comprehensive previsualization that's more sophisticated than traditional animatics or storyboards, shooting an entire film mock-up in a week.
When asked about his predictions for next year's HPA Tech Retreat, Joey suggested that AI will become "more embedded" in existing workflows and tools. However, he also acknowledged growing fatigue around AI as the sole focus:
"I think also people are maybe tired of just focusing on AI or talking about AI. I know it's a buzzword and hot topic, but some people are just talking to some people. It was like, I want to hear about other things too."
The conversation highlighted that while AI is driving significant innovation in media and entertainment, other areas like cloud infrastructure and remote collaboration continue to evolve and deserve attention.
Joey's experience at the HPA Tech Retreat provides valuable insights into the current state of AI-assisted editing and post-production tools. While we're not yet at the point of seamless, fully-automated workflows, the industry is clearly moving in that direction with tools becoming more sophisticated and integrated.
The most promising developments appear to be happening at the intersection of AI and existing editing platforms, where tools like Quickture can leverage AI capabilities without forcing editors to abandon familiar workflows. Meanwhile, innovations like Strada's peer-to-peer solution address practical challenges like storage costs that impact production budgets.
For media professionals looking to stay ahead of the curve, understanding both the capabilities and limitations of current AI tools is essential. As Joey and Addy's conversation demonstrates, we're in a transitional period where piecing together specialized tools is necessary, but the future points toward more embedded, intuitive solutions.
Stay updated on the latest developments in AI, filmmaking, and creative technology by subscribing to the Denoised podcast on your favorite platform and following Joey and Addy for more in-depth analysis and practical insights.
Reply